Like for many I guess, a series of Brett Kingman demos were my gateway to Australia’s DevTech Audio. We already have a number of key David Gilmour inspired brands - including Skreddy Pedals, Buffalo FX, and Past FX, - and DevTech is now among those forerunners - navigating its own path through those classic tones.
DevTech Audio is one Terry Crawford, based in a Sydney suburb, and while Terry is a guitarist of some 30 years with an engineering background, DevTech Audio only became a going concern earlier this year.
So Terry has come a long way in a relatively short time - as he already has 13 pedal models on his roster, and is working on some further additions currently. The internals are of superb quality, and feature the finest components available, while the pedal look and feel has yet to fully match the quality of the internals. From an engineering perspective the brand is well defined, while the branding and design look-and-feel consistency needs a little work.
I’ve picked out 3 of my favourite pedals in the range - all targets for me - in fact even though I own a Pete Cornish GC-1 (as documented on this site) - I would still really like Terry’s purple accented ’Summoner’ take on that 45th anniversary pedal.
While for this article we’re focusing on my 3 favourites - which have all been expertly demoed by Brett Kingman as below :
The PC CC-1 has always been a target for me, where up to this point I’ve used the Shnobel Tone Daily Driver to deliver those sort of sounds. Pete Cornish pedals are both kinda pricey - at circa £600 and equivalent for each, and they’re all slightly, or with the Grey Box line - significantly oversized.
Brands like DevTech Audio give you a gateway into those sounds - via smartly circuit-traced and refined compact takes on those circuits for significantly less outlay. On the DevTech Audio Website / Store - the prices are quoted in AUD - with the Evolve and DSOTM at $229 AUD, and the Skylight at $239 AUD. The pedals are also available on the DevTech Audio Reverb.com store - where you will see your local pricing - which equates to circa $205 and $212 USD, and £155 and £161 - which is very reasonable. Delivery charges are very fair too!
So the 3 pedals I’ve picked out are the ones I most want to get my hands on - followed by the Summoner - which is the prettiest DevTech Audio pedal to date - but for which I’m already kind of covered. I will for sure be making arrangements with Terry to acquire some of these, but as he is currently inundated with orders resulting from the recent Brett Kingman demos - it’s going to be a little while before I get stuck into these.
I’m definitely looking to acquire that trio - whether individually or all in one go - and yes I will likely change over some of those knobs! You all know that having the right knobs applied is a big thing for me, and it’s something the Summoner gets pretty spot on, while I would want to update most of the others!
Terry worked with his engineering friend on the circuit traces and refinements - with a lot of cross-collateralization with other leading online resources. All those circuits underwent some considerable refinement - where they sound pretty spot on to me in the demos - while I obviously need to try them first-hand to fully verify their fidelity!
Controls - Treble, Mids, Bass, Volume, Drive.
I've always loved the sound of the CC-1 - which has a really distinct bright sparkliness to its upper register, and where cranking the EQ's delivers a slightly fuzzy edge to the output. Hitherto I've made use of the Shnobel Tone Daily Driver - which definitely gets you right into the ballpark of those tones, while it's always been an ambition to own the actual circuit or a variation thereof - and the Evolve here sounds like a fantastic authentic take on that Pete Cornish classic. I would of course need to change the knobs - I've never been a fan of those DM-1900 types - as you will have seen from my experience with Bispell Audio - where I changed out all those knobs too. Generally I don't gel with DM-1510 or DM-1900 types - and I always have a preference for milled aluminium ones - and encourage pedal builders to design their own ones eventually - where Colortone, Cornerstone and Rainger FX are great examples of that.
Controls - Volume, Fuzz, Body (Bass), Filter (Treble), Boost.
This one is really interesting as it's an extended-range evolution of the Silicon Fuzz Face - with fantastic extra controls (essentially 2-band EQ + Boost) to help you dial in exactly the sounds that you're after. Interestingly Terry uses BC109 transistors here versus the BC108's which featured in David Gilmour's own Dallas Arbiter Fuzz Face. Terry found that the BC109's have a much lower noise floor and further extended range compared to the BC108's - so that's definitely an upgrade, while they sound pretty much identical. This would be my 105th Fuzz Face or so I believe - while the demos are so excellent and so highly representative of those classic Gilmour sounds - that this one would seem to be a must-have for me. Not a fan of the knobs again - so those would be updated to my preferences. A really cool aspect about this pedal is a colour-changing LED - which rotates through the different colours of the rainbow - in the spirit of the album artwork inspiration.
Controls - Treble, Clipping : Si / Ge, Bass, Volume, Gain.
The Pete Cornish SS-3 hasn't always been a target for me - as I've generally preferred the CC-1 and G-2 variants. But once again Brett Kingman's demos of the Skylight sounded so good that this one went straight onto the acquisitions target list. Terry has 2 versions of this circuit - including also a larger Soft Drive format, he also has his Custom Fuzz take on the G-2 - which is also a little large for my preferences. In any case I'm definitely down for getting this one into the reference collection, and because of the Germanium Clipping Diodes which will be a limited release - only sustained while those components are still in stock. So this one probably needs to be the priority - as if you leave it too long there won't be any left!