So when I first covered the HammerOn - alongside the MonoNeon Whammy release, I hadn’t fully gotten to grips with what this pedal was overall about. I think that at my time of writing there were no demos out at that time - while a few brief NAMM snapshots have emerged since - particularly around the 2-5 Note Sequencer and Trill Auto Repeater functionalities.
As the proud owner of the HammerOn’s adjacent siblings - the Drop, and the Whammy Ricochet - I thought I would break it down in the clearest of distillations.
In truth the Whammy Ricochet is a little different - because of its timed / ramped interval, while the Drop and HammerOn are instant. There is a speed function on the HammerOn, but that is do do with the Trill Repeater functionality - in particular your 2-5 Note playback sequences - where you can set the tempo of those. You an’t though have a timing interval between the steps - it’s just a universal tempo control.
So the HammerOn pretty much covers off The Drop, and extends that upwards - in a sort of opposite ’Lift’ manner. All those HammerOn pitch-shifts are pretty much instant.
There are nuances and some technical details - while I feel I’ve perfectly summarised this pedal via its control topology, and the 10 listed features :
Controls - PRIMARY LEDs / MODES } Dry, +2nd, +3rd, +4th, +5th, +6th, +7th, +OCT, +2 OCT, -2nd, -3rd, -4th, -5+th, -6th, -7th, -OCT, -2 OCT, Dry+ : Add Dry Signal, Trill : Rapid firing of Multiple Footswitch Impressions, Mode : Hammer On [Purple] / Impossible [Red] / 2-Note-Squence [Blue] / 3-Note-Squence [Teal] / 5-Note Sequence [Green]; Pitch 1 Footswitch, 2nd Pitch Mode LED : Hammer On, Impossible, Sequence 2,3,5, Pitch 2 Footswitch.
Key Features :
The two older devices - the Drop and Ricochet are widely available for $239 and $189 respectively - and equivalent (e.g. £129 & £139), while the HammerOn is currently on pre-orders for $279 / £219 and equivalent.