So this incredibly busy month was supposed to be all about Tremolos, culminating with the Rounder Sounds Zebra-Trem Review and 30 Tremolo Pedal Overview. But we hit some snags along the way - the Zebra-Trem was mysteriously held up in customs for a week, and then got slightly lost in the local postal network. And when it did finally arrive - evidently it had been dropped a few times, as the screen was no longer working. After trying various obvious remedies with Bill over a few days - with no ...

There was a time when Hiwatt stood shoulder-to-shoulder with Marshall and Vox at the top of the British Amplifier hierarchy. In fact during the Dave Reeves Era (1966-1981) Hiwatt was considered the superior amp brand of the day - with significantly better build quality than all the rest. This had much to do with Dave’s dual apprenticeships at Marconi and Mullard - where he was imbued with MilSpec production values - such that those devices could be more easily and expediently maintained.

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So the current Voxy & Plexi slots are #18 and #19, while the first formation occurred back at the start of 2018 - with the Bearfoot EGDM on slot #15, and the MI Effects Super Crunch Box V2 on slot #17 - we’ve obviously come a long way since then! That original pairing had a very decent 2 year innings. Which was actually a few month more than the enduringly popular Pettyjohn Electronics pairing. Of all of these - those 2 pairs have endured the longest, with the Menatone TBIAC + KOB duo putting ...

It’s been a while since I did a Marshall / MIAB roundup - where last time I leant rather more into EVH / Brown Sound variants. In this current selection we mostly have Plexi and JCM800 types, but also some that extend down to JTM45, and a few that get up to JVM levels of gain.

I’ve always been interested with Marshall Colour Association - where in the visual you can see a fair smattering of gold and red variants, a few black ones too - which are kind of the core colours. Purple seems to have ...

Readers will be aware that I recently added 2 further Dumble style Overdrives to the reference collection. First the Menatone Dumbstruck V2, and then most recently the superb Tanabe Zenkudo.

I’ve decided that I’m at a point now where this selection is fully representative of this genre, of course I do have a few more targets in this category, while I feel I now have most of the major top-tier contenders. Notably missing here is Robben Ford’s evidently much loved Lovepedal / Hermida Zen ...

So scanning through this month it seems to have been mostly about Guitar / Pedal Shows, Japanese Pedals, and Pedals Delayed and Missing in the Post!

The Guitar Shows have been pretty fast and furious for March - with two of the most significant ones of the year, along with a fledgling grassroots one : The Guitar Show (Cranmore Park - Birmingham / Shirley), London Synth & Pedal Expo (Studio 9294, Hackney Wick, London), The Alternative Guitar Show (The Fighting Cocks, Kingston).

I of ...

This article has been a long time coming - where I originally started this ahead of the Mini Edition - which went live on January 24th. I was waiting for a couple of new pedals to be released - while the article has been iterated around 20 times now with a number of recent additions.

And the pedal I was waiting to launch still hasn’t quite happened, while the builder has authorised me to tease it in advance of its official release. And if I were to do the same exercise tomorrow - no doubt ...

So a follower on Instagram asked me to do a piece on which pedals had Sweepable mids - meaning really semi-parametric mids - with one control for Mids Frequency, and another to Cut/Boost that Frequency.

I thought there were a lot more than those that I finally uncovered. It’s mostly distortion pedals that have 3-Band EQs, and so it stands to reason - that it’s mostly distortion pedals that have parametric mids too.

While there is also a now long discontinued series - by Big Tone Music ...

Readers of this blog will know that I’ve long and consistently had 2 key pedal types in my pedal-chain - namely a Brian May Vox style pedal, and an Eddie Van Halen Marshall Plexi style pedal - which for the last number of years have populated slots #17 and #18.

My very first pairing was the hybrid set of Bearfoot FX EGDM and MI Effects Super Crunch Box V2 - which overall probably served the longest innings on those two slots.

Since that first pairing we’ve had matched brand pairs - from...