And so to my roundup of the best gear of the year - apologies of course if I’ve overlooked one of your favourites - and note again that this year I’ve split out Boost & Overdrive - and Distortion separately - as there are so many new pedals that it’s tough to fit them all into a single summary overview. Some of these pedals are incredibly extended range - and if I’ve used them more on the distortion side - you will find those listed in the very next Distortion Rundown article - like say the Messiah Guitars Eddie Haddad BoostDrive as an example.
It’s always tough to arrow down the selection to something manageable - and a very iterative back and forth process across myriad criteria to distil the list down to manageable numbers - where the magic number on this occasion was ’29’.
As per usual I did not manage to secure all of these this year - some alas will never enter the reference collection. The ones I did not get around to adding this year include - the CTC Hi Power, Gecko O-Face, Keeley Noble Screamer, JHS Notaklön, OPFXS Twin Boost, Origin Effects Halcyon, REVV Tilt Boost, and Walrus Audio 385 MKII. Meaning therefore I own 21 of the 29. Most likely next acquisition here is the Keeley Noble Screamer or Walrus 385 MKII - a few of those straggles will for sure be added at some stage.
Here is the final Overview - note that the Longlist is at the foot of this article, also note that there is some pedal Tetris going on for the arrangement - which is closely alphabetical - but not entirely! :
There are so many stand out pedals that it’s hard to single out individual honours. You will have to see what makes is though to the Best of the Best listing, and what ends up on the final Pedal-Chain Status / Class of 2023 arrangement!
Here follow the individual details :
Controls - High, Mid, Low, Post Gain, Thick : On / Off, Pre Gain, Normal / Saturation Footswitch, Bypass Footswitch.
Fantastic punchy compact preamp pedal based on Josh Homme's favourite Peavey Decade Combo. Everything about it is quality - beautifully made - and sounds as good as it looks!
External Controls - SAVAGE } Out, Tone, Gain, Clipping : Vintage Ge / Modern Si, Left Footswitch; EGO DRIVER } Mode : Hi Mids / Lo Mids, Out, Tone, Gain, Right Footswitch
Interior Controls - SAVAGE VOICING } T - Treble Focus / M - Mids Focus, EGO DRIVER VOICING } Clipping : 1N914 Diodes / LEDs, Hi Mids Highs, Lo Mids Bass.
Anasounds' Savage Klone and Ego Driver Screamer were already brilliant takes on this two legendary pedals. Here we get the full fat versions together - with all the mods - in one box. This has been on the board since is came out in June - and I've had no reason to dislodge it!
Controls - Volume, Honey (Gain), Taste (Tone).
My favourite Beetronics Babee series to date - although I don't understand why they've ditched their clever double-tap footswitch mode switching as on precious editions. Slightly annoying to have to bend down to flip mode. That said - both Tweed Amp adjacent Drive and Fuzz voicings are very decent - bring back the double-click!
For sure my prettiest pedal of the year too!
Controls - Bass, Middle, Treble, Volume, Presence, Gain, Bass Boost Switch (Up for JTM45, Down for Super Lead), Bright Boost Switch (Up for JTM45, Down for Super Lead).
A cool fairly minor but significant update to the pedal's output gain and EQ - which now can deliver a very decent EVH voicing - where the previous model couldn't quite reach that level.
Controls - Level, Mode : RE / NAT / Ce, Gain, On Rear - Buffer : STD (Always on), VTG (Warmer, only on when active).
Another genius move from Boss - taking the preamp voicings from two of its most legendary history pedals - the RE-201 Space Echo Preamp, and CE-1 Chorus Ensemble Preamp - and then throwing a further third Clean Boost on top. Great sounding pedal for sure - while I would have liked an additional EQ knob just to be able to refine the output a touch further!
Controls - Level, Tone, Drive, Buffer : On/Off.
Another fantastic Mr Wu genre take - massively expands the range of the Klon / Klone and delivers somewhat 3D Dimensionality - somehow magically more immersive
Controls - Gain, Gain Structure : ↑ Distortion / Overdrive ↓, Volume, Bass, Mids (Active), Treble.
I've just had this for a few days now - and it totally meets every expectation. I was hoping for a more granular and extended range Blues Driver - with all my favourite tones onboard and a little more. In fact it delivers quite a lot more. There's still something wholly magical about my Keeley Freak Fuzz Modded BD-2 - while the Aquatone takes that circuit into all kinds of new territories - it's amazing why no one has through to do this before. A fantastic overdrive / distortion - could well end up as one of my all-time favourites - but it's still a little too early to give a definite verdict - so good so far though!
Controls - Dual Gain (MOSFET 1 + 2 Bias), Volume (Output + Low End in Circuit + Gain).
My very favourite overdrive of the year - simply sounds immense - is easy to dial in, has an incredible degree of versatility via just those 2 controls, has superb guitar volume gain cleanup - and is super loud - just how I like it. Really brilliant every which way - and I love the look of the one that Joe Halliday made for me - currently vying for status as my favourite overdrive of all time!
Controls - HIWATT SIDE } Master, Amp Voicing : 103 (High Headroom & Dynamic Response) / 504 (Higher Gain & More Compressed), Presence, Input Channel : Bright / Linked (Both) / Normal, Volume, Bass, Treble, Middle, Hiwatt Footswitch, POWER BOOST SIDE } Master, Voicing : PWR (18V) / ODR (9V), Volume, Treble, Bass, Power Boost Footswitch.
Just recently reviewed - a grand confection of two Gilmourish classics - the HiWatt Amplifier (DR103) and Colorsound Power Boost. Christos loads up the pedal with exactly the right complement of controls for maximum range and utility - fantastic concept - brilliantly executed!
Controls - 2 x Gain, Level, Tone, Mode : I (Crunch) / II (Overdrive) / III (Distortion) / F (Forbidden Fuzz Mode), Bass Boost : On/Off, Clipping : Stock Silicon / LED / NOS Germanium, Footswitch per Channel.
Same formula as the Golden Royale - double up on the killer mini pedal and add more features. And so the Reverend becomes the Reverend XX - with external bass boost per channel and 3-way clipping selector. A truly magnificent Expandora - at its best in the 'Redverend' edition as pictured above!
Controls - Bass, Treble, Gain Structure : 50W / 100W, Mids, Gain, Comp : Some / None / Lots, Modeling (Presence), Volume.
One of my favourite all-time MIAB pedals - just instant satisfaction and killer tones every which way. I would have preferred a vertical orientation enclosure - but this one sounds so good I can totally live with it as it is.
Controls - Gain, Tone, Volume, Speed, Depth, Gain Modulator, Tone Modulator, Volume Modulator, Preset LED’s 1-3, Bypass / Alt Footswitch, Tap / Hold Footswitch, Press Both Footswitches to scroll Presets, Mini Midi In and Out on rear of pedal.
An ingenious analog overdrive with optical modulation of gain, tone and volume. Certainly a highly intriguing pedal - where the nearest sort of equivalent to this is Josh Smith's Poly Flat V - but not wholly. I would definitely like to get my hands on one of these some day!
Controls - Tone ±, Tone Stack Switch : OD (Spectrum) / TS (LPF), Drive ±, Drive Clipping : OD (Hard) / TS (Soft).
One of those ingenious 'why did no one think of this sooner' pedals - being able to alternate 2 complementary circuits and their tone stacks - sounds really impressive too. While I feel I already have some of the best ODR-1 and TS808 types - so possibly limited mileage for me overall - still want one though!
Controls - Level, Tone, Drive, Mode : AT / Phat.
Another great take on the BD-2, while I probably still prefer my original Keeley Freak Fuzz Modded variety - and the above Electric Love Aquatone does a lot more. All are valid though, and I'm delighted to own all three.
Controls - Preamp (Gain), Volume, Boost (JFET Boost Level), Clipping : JFET+MOSFET > LED, 2-Band EQ : Top, Bottom, Overdrive Footswitch, Boost Footswitch.
A very uniquely voiced classic British 60's and 90's pop voiced overdrive with a psychedelic edge - and exceptional note clarity. Really superb nuanced breakup quality with pretty extensive range up to a sort of smooth vintage style fuzz. I named several pertinent sound references in my recent review - could do with a little more output volume for me - but every-way superb - and distinct!
Controls - Volume, Treble, Gain, Shamrock Mod : -/+ (+4dB).
Undoubtedly one of if not the success stories of the year - something like 20,000 sold in just a few weeks - those are proper Boss numbers! Great concept, superbly executed. Nice to have for me rather than essential - but would still quite like one - when the the fuss calms down a little!
Controls - Output, Ground Lift Switch (for DI Output), Treble, Gain, Clipping : 1N270 / 1N695 / 1N34A / D9B / D9E / Red LEDs, Clipping On Footswitch, OA10 On Footswitch.
Superb ultimate Klone with all the mojo Germanium Diodes selectable in the one device - with an additional LED clipping option 2. Sounds superb - kind of like a high quality wine tasting session - my favourites being the OA10 and 1N270.
Controls - Level, Drive, Bass, Treble.
Superb silky smooth overdrive heavily reminiscent of the Carlos Santana 'Europa' sound. The combination of superior components and hi-fidelity audio output transformer delivers superior results!
Controls - Drive, Level, Germanium Drive Control (Ge > Silicon Clipping mix), Bass, Mid, Treble.
Another one of my all-time favourite overdrives - I really love both the flagship Nordland pedals - and this one has super harmonic breakup to match its extensive range.
Controls - Level, Gain, Blend, Bass, Boost, Treble, Drive Footswitch / Hold for Clipping Options, Boost Footswitch / Hold for Boost Order.
Clipping Options - [Blue] Ge Klon / [Yellow] Schottky Silicon / [Red] Silicon / [Aqua] MOSFET.
Boost Options - [Yellow] Pre Overdrive / [Red] Post Overdrive.
A really smart take on a Klone, doesn't have one of those magical Diodes, but sounds pretty superb regardless. One of the most extended range Klones out there with really clever switching functions via dual footswitches.
Controls : F2 Push Button } Long Press toggles bettered Preset and Gain Modes; In Preset Mode - short press toggles between total II or III Presets; For Gain Step Mode - short press lets you select dB Gain Increments / Intervals of 1-24, F1 Push Button } Preset long press sets MIDI Channel 0-16; Gain Step short press sets Slew / Transition Rate of 0-99; Gain Step long press Saves Slew Rate; F1 + Bypass toggles between Joint and Separate Boosts; when Separate boosts are selected - F1 then toggles between Blue (Ring Channel) or Red (Tip Channel), Left Footswitch } Preset short press selects Preset; long press Saves Preset; Gain Step short press Ups Increments / Gain Factor; long press decreases them by same interval, Right Footswitch } Bypassed Both Channels; when pressed in tandem with F1 toggles between Joint and Separate Boosts.
Ingenious digitally-controlled twin clean boost with multiple routing and deployment options, including split mode stereo action, auto-swell, and step-up boost, excellent value too - and definitely on the wishlist.
Controls - Level, Adaptive (Mids) : 0 | II | I, Drive, Dry (Blend) Voice : KLN / MOD, Tone.
Another Cool Adaptive Origin Effects circuit - this time based on the Klon Centaur. Allows you to control the Mids by turning back your guitar volume, and comes with a smoother and rounder alternative Mod voicing. Another one for the wishlist!
Touch Controls - Presets / Banks [Hold], Signature Ident : Toggle B-Sides / Activate VU Mode / Activate Battery Mode / Save Preset [Hold], HPF / High Q, Volume / Sense. Gain / Speed, LPF / Low Q [Tap header to toggle btw Primary & Secondary Params], Diodes : Schottky / Germanium / Silicon / LED, Waveshape / Blend : Sine, Triangle, Square, Envelope Follower, A > B / B > A Channel Order, Footswitch A / Previous Preset [Hold], Footswitch B / Next Preset [Hold].
Really smart and innovative touch-screen 2-Channel multi-drive with cool modulation function. Can glitch out on occasion, and sometimes looses it's touch-sensitivity - while it's brilliant when it's all cooking. I feel it's better suited to table-top operation than on-the floor. A really cool Reverb has very recently come out in the same format - with less screen contrast - I'm still considering how essential that is for me. The Poly Flat V has been solidly on the board pretty much uninterrupted for the whole year!
Controls - Boost Level / Degree, Tilt EQ, Drive : Drive / Boost, Tight : Top Shelve / Full Boost / Top Boost + Low Cut.
A really clever extraction and enhancement of the killer Tilt Boost side from the Signature Shawn Tubbs Tilt Overdrive - works as a smart overdrive in its own right too - been on the wishlist for a while, although not necessarily a priority.
Controls - Volume, IN-Z (Impedance) : Lo / Hi, Trim (Gain / Saturation), Bass, Dynamics (Compander) : On/Off, Treble.
Clever expanded range tape saturator emulator / preamp - which covers you for all manner of smart gain applications up from Boost though to Overdrive and Distortion - with really precisely calibrated 2-band eq too.
Controls - Level, Boost, Boost typed : High Capacity (Ge Diodes) / Danish Pete (Original Smooth Dane Boost), Gain, Tone, Lows.
Fantastic evolution of the Thorpy Dane - shrunk down to compact size with both sides of the Heavy Water Boost onboard - and the exact same drive circuit as the original larger edition. Works well for all pickup types - while obviously specially honed for Telecasters!
Controls - Slash (EQ), Push (Gain 1 Feed / Mix), Volume, Riff (Gain 1), Clipping / Diodes : Symmetric Silicon / Asymmetric Germanium, Raff (Gain 2).
Alternatively - Bass > Treble EQ, Boost, Output, Overdrive, Clipping, Distortion.
Or even - EQ Blend, Intensity, Level, Texture, Character, Body.
Super smart 3-Gain-Stage pedal featuring Treble Booster / Range Master at the start - with 2 further gain stages which deliver the full gamut of Boost, Overdrive, Distortion and Fuzz - certainly not an Expandora - but can sort of cover similar territory - albeit a different sound-signature. I really really like this one - and it's been on the board a lot this year!
Controls - Master Volume (Gain), Boost, Volume, Bass, Mid, Treble, Boost Footswitch, Bypass Footswitch.
My very first Tubesteader single 12AX7 Tube-powered pedal - and in Goldilocks fashion - everything is right about this variant - obviously the tonez - but also the size of the pedal, the 350mA 12V power supply requirement and the price tag! I was hoping more of this format would follow on - while the very next pedal made was again one of those larger 2 x Tube editions with 12V 500mA requirement and higher price tag. I hope Olly makes more of the compact format - and soon! As I'm properly onboard for that!
Controls - Volume A, Gain A, Volume B, Gain B, Treble, Bass, 385 / 385+ Boost Switch, Bypass Footswitch, A/B Channel Footswitch.
The previous one of these had been on the wishlist for quite a while - in fact so long - that they launched a newer better version before I managed to acquire it! The new version is all-round better - with 2 channels essentially - and indeed is better looking - this is a very likely acquisition early in the new year!