You can instantly feel that the new amp is more immediate, tighter, and responsive than before - with more snap and punch to its output, and deeper soundstage projection. It benefits from additional expansive controls and output options, and now is much more controllable via direct Bluetooth App control with the Boss Tone Studio App. I would describe it as overall significantly more articulate and dynamic than before.
And I really love the new ’Pushed’ Amp Type - which I’ve switched over to from ’Clean’. I only have the gain @ 9 o’c, and it allows for more impacting gain ramping via your guitar volume control - while still starting off really very ’Clean’. There’s something a little extra about the ’Pushed’ mode that really appeals to me. UPDATE! - actually the Pushed mode is a little too much for some pedals - so I’m basically mixing up Clean and Pushed for my core pedal platform project. I will do a further deep-dive into using the amp wholly sans pedals too!
The EQ is mostly set flat, with the Bass knocked back a bit, Treble raised a smidge, and Contour set to Red, I also seem to prefer Air Feel set to Live Mode - which represents closer virtual microphone placement - but really just gives you a more vibrant tone. I’ve not used the Bloom feature too much yet - since I typically need to shave off some of the low end to deliver the amp character that I need. In fact I’m really just getting stuck into this amp - which arrived a couple of days before the Brighton Guitar Show, but then I had a long spell of Covid which kind of got in the way a little. I had to move the amps around, and put my original MKI Katana 100 into storage - which all took time and effort. While the setup of the new amp could not have been simpler, and connecting to Bluetooth for the first time was a breeze too! UPDATE! - actually I love the Bloom feature - it reminds me a little of the ’Loudness’ button you used to get on 80’s Hi-Fi’s which made everything sound better and fuller - and that’s what’s happening here - it really nicely fills out the lower end of the output profile and makes it all sound a little fuller - but still tight an elastically snappy!
The control topology is very similar to the previous MKII Artists edition - but with just a few additional controls, and a few more output options on the rear panel. The amp looks pretty majestic with its new grey matrix grille cloth - everything about this edition seems slightly more refined and robust. And the updated Tube Logic platform simply sounds magnificent now - with the most tube-like dynamics ever for such an amp. Obviously helped by the JFET AB Class Power Amp Section.
This EL34 emulating Gen 3 Katana Artist will occupy my usual Left Channel placement, while my EL84 All-Tube Carvin V3MC holds onto its Right Channel deployment for now. I have considered going full Boss at some stage - with likely the Nextone taking up duties on the Right Channel - as I need that combination of EL34 and EL84 frequency response - where one favours the Lower Mids and Low frequencies and the other the Higher Mids and High Frequencies for a more expanded and deeper 3D soundstage. While changing amps is always a big step, and I would rather do that process in longer-term stages.
It’s still very early days in my journey with the Gen 3 Katana Artist - and I tend to do a lot of fine-tuning and refinement over the period of the first month - making sure that the amp is tuned perfectly into the core pedalboard dynamics - which will likely mean adjusting both core elements a fraction or two. My longer term report in a month or two will cary more in-depth details!
What’s New for Gen 3!
Pictured above is the new amp in situ on my Left Channel - with my usual paraphernalia on top - and including a fixture for the bow for my Electric Cello! Note that the Fender Mustang 3 sat bellow is really just a 'stand' in effect for the Artist amp and hasn't been used for many years now - I like that it elevates the soundstage of the Artist.
You can see the excellent GA-FC EX foot controller at the base of the picture - which I feel is one of two essential must-have accessories for this amp, the other being the Boss BT-Dual Bluetooth Audio MIDI Dual Adaptor. The combination of those 2 greatly enhances and simplifies the control of this amp. I got so used to using my Mobile phone with the Katana-GO that it was a no-brainer that I would want the same for my main amp!
Both of those are optional extras, and need to be acquired separately - which helps keep down the price of the amp. The Boss BT-Dual Adaptor goes for $60 / €49 / £44, and the GA-FC EX is $149 / €146 / £120.
There's numerous reasons to prefer the Artist of all the Katana Amps - I love that it has a front-facing display - so I can stack my paraphernalia on top! I love that it has a specially custom developed Waza Craft G12W-8 12" speaker - based on the 1960's Celestion G12M Greenback that was fitted to EVH's Plexi Amp. And I love all those extra hands-on controls. You guys know I'm a fan of ultimate granularity, and typically more knobs means that you have more control over shaping the output to your own preferences!
Most of all - this is simply the most potent, flexible and versatile amp on the market - and it works brilliantly as a standalone all-in-one solution, as well as a powerhouse Clean Pedal Platform solution - with extras! There really is nothing else out there quite like this!
Note that this is just a first impressions post, and there will be a later deep dive feature once I've owned the amp for a month or two!
Controls - AMPLIFIER } Input, Amplifier (Type) : Acoustic / Clean / Pushed / Crunch / Lead / Brown, Amp Variation, Gain, Bloom (Springy Low End), Volume | EQUALIZER } Contour Button : Off / Green / Red / Orange (Mids Profile), Bass, Middle, Treble | EFFECTS } Booster / Mod, FX / Delay [Tap], Reverb | TONE SETTINGS } Bank : A/B, Ch1, Ch2, Ch3, Ch4, Panel, Resonance, Presence, Master | SOLO } Solo Button } Delay / Level [Tap] | LINE OUT } Line Out Button : On/Off, Air Feel : Custom / Rec / Blend / Live | GLOBAL EQ } Global EQ Button : Off / Green / Red / Orange, Power Control : Standby / 0.5W / Half / Max, Cab Resonance : Vintage / Modern / Deep, Power Switch.
Rear Pamel - AC IN (110V | 115/117V | 220/230V | 240V, Speaker Out : 8Ω / 16Ω A / 16Ω B, FOOT CONTROL } GA-FC (Tip : Ch1/Ch2 | Ring : Solo), EXP Pedal, USB-C, MIDI In, EFFECT LOOP } Return, Send, Bluetooth Adaptor Anchor Point, AUX In, Stereo Expand : Off / On, Stereo Phone, Power Amp In, Power Amp Out, XLR Line Out (1:GND 2:Hot 3:Cold), GND Lift : Off/On.
BOOSTER : Clean Boost, Treble Boost, Mid Boost, Crunch OD, Blues Drive (BD-2), Overdrive (OD-1), Natural OD, Warm OD, Turbo OD (OD-2), T-Scream (TS808), Distortion, Fat DS, DST+ (MXR Distortion+), Guv DS (Marshall Guv'nor), Rat, Metal Zone (MT-2), Medal DS, '60s Fuzz (Face), Muff Fuzz, Oct Fuzz, HM-2 (Heavy Metal), Metal Core, Centa OD (Klon),
MOD/FX : Chorus, Flanger, Phaser, Uni-V (Vibe), Tremolo, Vibrato, Rotary, Ring Mod, Slow Gear, Slicer, Comp, Limiter, T.Wah, Auto Wah, Pedal Wah, Graphic EQ, Parametric EQ, Guitar Sim, AC.Guitar Sim, AC.Processor (AC=Acoustic), Wave Synth, Octave, Heavy Octave, Pitch Shifter, Harmonist, Humaniser, Phaser 90E (MXR), Flanger 117E (MXR), Wah 95E (CryBaby), DC-30 (Dimension), Pedal Blend.
DELAY : Digital (Mono), Pan, Stereo, Analog, Tape Echo, Reverse, Modulate, SDE-3000.
REVERB : Plate, Room, Hall, Spring, Modulate.
NS : Noise Suppressor