When I first saw a teaser for the Neural DSP Nano Cortex I thought it was an interesting idea - but one that I wouldn’t necessarily get along with. For instance - because the Source Audio compacts offload a lot of the pedal control to the Neuro App - that has entirely managed to put me off those devices - I love the larger One Series pedals - Ventris, Nemesis, Collider and recent Artifakt - which you can entirely run off the surface controls - but I’ve never really gotten on with any of the ...

You can instantly feel that the new amp is more immediate, tighter, and responsive than before - with more snap and punch to its output, and deeper soundstage projection. It benefits from additional expansive controls and output options, and now is much more controllable via direct Bluetooth App control with the Boss Tone Studio App. I would describe it as overall significantly more articulate and dynamic than before.

And I really love the new ’Pushed’ Amp Type - which I’ve switched over to...

I feel I did the definitive write-up of the GT-1000 Core back in January of 2021. The Core stayed on my board from October 2020 through March of 2022 - so I certainly built up a decent knowledge and experience of that pedal. I will never though be one to have the GT-1000 as I prefer individual effects mostly, many of them analogue, with the occasional workstation - while I appreciate the leaps-and-bounds evolution of digital formats.

In the Update release notes much is made of improvements ...

Laney builds on its family recent 8-knob 60W Ironheart Foundry Loudpedal - where it adds the Secretpath Reverb with its own Level Control and Footswitch, alongside a new Master Balancing EQ Tone control, and further Boost option. So taking the guts of the original pedal to higher levels, where the new Ironeheart and Lionheart pedals are collaborations with long term Laney artists - Martin Miller, and Tom Quayle. These are weirdly not billed so much as signature pedals for those artists - but ...

Somewhat serendipitously - Boss’s Katana Series was birthed in the same year that Guitar Pedal X first started - 2016. From that first MKI Series I very early on acquired a Katana 100, which of course was a long term favourite of mine. Then in 2019 Boss introduced the improved MKII Series - with the quite superb Artist MKII arriving a year later - that was to be my second Katana Amp. And now in 2024 Boss has released the Gen III Series, NOT MKIII, as this release is far more significant than a ...

I’m totally in awe of the technical prowess presented on this killer dual analog amps in a pedal format.

It’s actually a very compact device at just 125 x 105 x 65 mms, and carries so many advanced functions here almost entirely in the analog domain. There’s not a single sub-menu here - this is surely WYSIWYG perfection - while it does use every available surface to cram in all the technology that is needed to support all those features.

At first encounter this all seem wholly intuitive...

So in my recent ’Guitar Elements’ series it’s finally come to Amps now - where I list out what I believe are the most historically significant and therefore Iconic amps. A lot of you are still conflating Iconic with Vintage, and discounting some of the more recent models - while Iconic does not necessarily infer a long term history and provenance - just that said item or element is a major marker or step forward in the evolution of that device - whatever it may be.

I’m not the first to do ...

Following on from the unveiling of their Gorgeous unobtanium 50th Anniversary Jupiter-X-Gold synth, we now get the best looking version of the JC-120 amp - with cool Cherry Wood Grain Cabinet and Premium Dark Grey Net.

Only 350 of these will be made in total for worldwide distribution - and the most premium feel version of this amp obviously has a premium price tag in tow too - €1999 / £1689 and equivalent. Please direct your inquiries to your local Roland Dealer.

The Jazz Chorus is ...

I will start off with a little contextual history on Roland and Boss Amplifiers. Obviously Roland is Boss’s parent company and had the initial success with its JC Jazz Chorus amps. On the back of that success it then released a number of wedge-shaped Cube amps - essentially outdoor performer amps - which became the mainstays of journeymen buskers. If you’re out and about in London you will likely see Roland Cubes on every other leading tourist area street corner. So for the longest period it ...