So this incredibly busy month was supposed to be all about Tremolos, culminating with the Rounder Sounds Zebra-Trem Review and 30 Tremolo Pedal Overview. But we hit some snags along the way - the Zebra-Trem was mysteriously held up in customs for a week, and then got slightly lost in the local postal network. And when it did finally arrive - evidently it had been dropped a few times, as the screen was no longer working. After trying various obvious remedies with Bill over a few days - with no ...

While this pedal shares the name of its Silky Smooth Saturating Overdrive sibling and they both share the same Audio Output Transformer - everything else is quite different. In fact the Silicon Steel Boost is a totally separately originated circuit - developed to deliver ultimate high headroom clean boosting, with potent EQ and subtle harmonics.

However much you raise the level - you never quite induce Overdrive breakup - you do get a subtle degree of saturation, while this pedal is mostly ...

Jack White has done it again! - producing his most exciting pedal collaboration since the Gamechanger Plasma Coil - at least for me. A cool off-kilter Octave Fuzz combined with Analog Monophonic Synth - which delivers suitably creepy supernatural horror thriller Giallo tones!

The keywords here are texture and ambience - where this delivers soundtrack-like atmospheric tones - perfectly timed for Halloween surely!

Interestingly - even though I have the yellow limited edition Plasma Coil -...

There was a time when Hiwatt stood shoulder-to-shoulder with Marshall and Vox at the top of the British Amplifier hierarchy. In fact during the Dave Reeves Era (1966-1981) Hiwatt was considered the superior amp brand of the day - with significantly better build quality than all the rest. This had much to do with Dave’s dual apprenticeships at Marconi and Mullard - where he was imbued with MilSpec production values - such that those devices could be more easily and expediently maintained.

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I’ve always admired this Studio Style Console Box / Control Strip - while I’ve questioned whether I really need it. I have the Empress ParaEQ 2 DLX for all my EQ’ing needs, and I use some very specific gain-staging pedals, where some have up to +60dB onboard and an additional +30dB indenpdent boost - for pretty much limitless versatility.

I have several pedals with Audio Output transfomrmers onboard too, so I feel that I’m mostly covered for what I need already, and how I use those gain ...

As I mentioned in my recent Kempton Park London International Guitar Show report - this DIRT Distortion was originally supposed to be the immediate follow-up to the very similarly styled 1991 Pearl Jam sensation.

The DIRT is a 3-way collaboration between Andy Ilgunas of Funny Little Boxes, Matt Webster of Let’s Play All - who’s also done the next level demo and sounds samples below. And on this occasion SoundLad Liverpool’s Marc Dunn was also involved.

As is sometimes the case - the ...

As is usual for these events - I prepared a list of my likely targets to hit up during the day - which this time around happened to be my various already established friends and allies from the guitar show circuit. I did not spot any suitable new prospects on the show roster - nor when I actually did the rounds!

My list looked as follows :

• Audiostorm - Lydia-Sean
• Buzzing Bugs - Dan
• Flattley Guitar Pedals - Paul & Jan
• Funny Little Boxes - Andy
• Goliath FX - Matt
• Heavy Repping - John

Tru-Fi’s Teddy Rasch has really pushed the boat out with this one - finding the perfect combination of Germanium Transistors to create the ultimate Germanium Zonk. The literature talks of 2G381 (TI) and Mullard OC75 black glass transistors. While in my unit I have the superb combination of AC125 + NTK278 + OC75 - for a weapons-grade searing harmonic output.

Here Fuzz is Gain, and Swell is Level essentially - there’s so much of both onboard that I don’t really take the Fuzz above Noon, or ...

I was quietly impressed by the original Pod Express, which I dubbed the ’My First Fisher-Price’ of Multi-FX - a really neat combination and topology of essential effects - with a supreme ease of use. It was indeed a really handsome device.

The new Black Edition looks very similar to the original but there are actually some very significant differences.

The only segment that is exactly the same is the Modulation segment (Chorus / Flanger / Phaser / Tremolo) - but in a different place, we ...