So OBNE has souped up its former compact Dark Star Pad Reverb - where you previously had 3 separate and independent modes of operation - Pitch / Delay / Crush.
For this new enlarged Stereo edition OBNE allows you to use all those textural elements together - with more options and a far higher degree of granularity. This really is a very distinct Reverb sound, and all the more special now with having the ability to mix up those different elements to your own preferences - where on the other ...
Another strong month for sure! A little dominated by Keeley Electronics, but some solid releases over the month - with a crazy flurry towards the end - to coincide with Europe’s largest Guitar Gear Show - Mannheim’s Guitar Summit. It seems evident now that Guitar Summit is an event I should really be at - and I will make a concerted effort to be their next year.
As it was I attended just one guitar gear event this month - EarthQuaker Devices Showcase at GuitarGuitar in Camden - where I got ...
I have always liked the look of the Walrus Audio Mako Series of MI Multi-Modulator, D1 Delay, R1 Reverb and ASC1 Amp Cab and Sim. And feel that these latest changes have really propelled some of these to the top of their respective categories - particularly in terms of Compact Enclosure Editions!
The new control interface is actually remarkably simple and intuitive - the knobs above each of the 3 screen segments allow you to click through different ’pages’ or screen of options - where you ...
First launched in 2014 - the BitQuest Multi-FX / Multi-FX-Fuzz / Fuzz-Modulator - quickly became Dr Scientist’s most popular and best-selling pedal - and has held the line ever since - despite fierce competition from my other Frazz Dazzler Fuzz favourite! According to Ryan- there are only 2 core models of this pedal - the one which originated in 2014 - which holds all the way through to 2020 - while there are some circuitboard variations along the way too. Before 2020 you first move the Fuzz/...
Devin Townsend’s signature Ocean Machine Ambience Workstation first materialised back in 2017. It was packed with features even then - with much the same format and layout as the new one - while the black knobs onto royal blue enclosure made it look a little congested and complicated and somewhat dark and confusing in appearance. The updated look has improved the pedal 100% - helping you to separate out and easily navigate the different sections of the device. The new look and feel really looks...
Readers of this site will know that I’ve long admired the extraordinary sound-design talents of Cohen Hartman - who’s best known through his SpiralCaster Plays Pedals YouTube Channel. In my opinion he is one of the very finest pedal demo artists there ever was. He has a way of teasing out some truly unique tones and textures from most pedals - and taking them places where others just don’t or can’t seem to venture.
He did a slew of particularly brilliant demos in the lead up to my February ...
So it’s a relatively short time ago since the MIME I was released - December of last year in fact. There’s a few immediately visible changes between the two models - apart from the core colourway change of course. The new MIME II drops the Expression Port, and Mini Binary Button within the Drop-shaped LED aperture. That feature proved to be way too fiddly to manufacture, and for quite a few users of the pedal too fiddly to operate also.
So for the MIME II - we now have a 3-way toggle switch...
As soon as I saw this intriguing new Artifakt format I immediately thought that it looked like some sort of hybrid crossover between Chase Bliss and Red Panda Labs. Source Audio has really gone to town here - covering off all the essential Lo-Fi manipulation elements in a single pedal - and in Stereo too! So it obviously gets a lot of love from me.
There are 7 different Effects Engines - where you really need a manual on hand for this pedal as there is so much going on, and most of the ...
It’s been quite the epic journey for me to get to Lichtlaerm Audio - which goes all the way back to February of 2020 - where I believe I was the first Pedal Blog to feature Daniel Ringl’s original first incarnation line of pedals - which had white graphics onto black facias , on top of wine-red gloss-finished enclosures (Update! - looked like white print in photos, but Daniel says - "the old line-up was silver prints directly on smooth black enclosures - the photos looked a bit white but it was...
The original BigSky was a total game-changer in 2013 and ushered in the era of pristine pro studio level reverb workstation pedals. When I got stuck into pedals properly around 10 years ago, the Strymon Stryfecta of BigSky, Mobius and Timeline was one of the first major investments I made!
Since then I’ve had a number of different Reverb Workstations (around a dozen) on that particular #41 slot (I love and retain all of those) - which slot is currently fabulously occupied by the Poly Verbs ...