So Fractal Audio Systems has thrown its hat in the ring with its first non-modelling device / unit - the VP4 Virtual Pedalboard Multi-FX Processor - which is quite a departure for the brand.

It’s obviously gunning for Line 6 and Eventide in particular, but also looking to knock out Boss and Strymon Workstation pedals. It has several of its own advantages, but with a number of caveats too. Overall it’s well priced for what it delivers - but for my own preferences it’s still somewhat over-...

I have always liked the look of the Walrus Audio Mako Series of MI Multi-Modulator, D1 Delay, R1 Reverb and ASC1 Amp Cab and Sim. And feel that these latest changes have really propelled some of these to the top of their respective categories - particularly in terms of Compact Enclosure Editions!

The new control interface is actually remarkably simple and intuitive - the knobs above each of the 3 screen segments allow you to click through different ’pages’ or screen of options - where you ...

First launched in 2014 - the BitQuest Multi-FX / Multi-FX-Fuzz / Fuzz-Modulator - quickly became Dr Scientist’s most popular and best-selling pedal - and has held the line ever since - despite fierce competition from my other Frazz Dazzler Fuzz favourite! According to Ryan- there are only 2 core models of this pedal - the one which originated in 2014 - which holds all the way through to 2020 - while there are some circuitboard variations along the way too. Before 2020 you first move the Fuzz/...

Considering my well documented fallout with this brand - this is a slightly odd article for me. I might not get along with said brand name head honcho - but Jackson Audio still make some very decent pedals. They’re not necessarily always the best sounding overall, but in terms of their format innovation, build quality, feature set and usability they’re still a formidable force.

Pedal industry relationships are always complex - as they don’t just involve the builders, but distributors and ...

I had become aware of Fjord Fuzz really in mid to late 2018 onwards - it took me a little while to tune into the brand - in terms of its constant prototyping and iteration - and at the time where the only official retailer for that brand was based in Sweden. It wasn’t until 2019 that I was able to get hold of my first Fjord Fuzz Pedal - where I picked up the early version of the Bifrost Fuzz-Delay on UK Reverb.com - where a UK pedal builder had either bought or exchanged a pedal with Daniel, ...

Readers of this site will know that I’ve long admired the extraordinary sound-design talents of Cohen Hartman - who’s best known through his SpiralCaster Plays Pedals YouTube Channel. In my opinion he is one of the very finest pedal demo artists there ever was. He has a way of teasing out some truly unique tones and textures from most pedals - and taking them places where others just don’t or can’t seem to venture.

He did a slew of particularly brilliant demos in the lead up to my February ...

I’m going to start this month’s roundup with a couple of conundrums that I’m still kind of wrestling with.

Firstly about my old friends at Sinvertek, whom I can’t but think that they might have jumped the shark with their latest release. It’s another spin off of the Scream Honey line - the 4th or 5th in that series. Mr Wu seems to introduce tiny improvements each year, and every other year we get a price rise too. On this occasion the offering is two pedals - supposedly both slightly different ...

DigiTech launched its HardWire offshoot back in 2007 - billed as rugged and dependable hardware for touring musicians. While, though the pedals were generally well received and favourably reviewed at the time - that brand never really properly took off. HardWire had a mix of both Analog and Digital pedals in its range - and there was some confusion with its comparative price point versus its DigiTech parent. It didn’t help either that DigiTech further confused the issue by latterly re-branding ...

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