Another totally mad month for sure - loaded with frenetic activity and peppered with highs as well as crushing disappointments. The first give-away for GPX didn’t quite hit the highs I expected (said give-away closes tonight at 23:59 BST). And there are some weird gaps in the entrants’ home countries - certainly no shortage from the USA, UK, Canada, Australia, or much of mainland Europe. I’m active in a lot more countries than have so far entered the give-away, so I don’t fully understand why ...
It seems like the world-beating Cali76 Compact Deluxe FET Compressor is finally about to be knocked off its commanding perch - by an even better engineered and finessed replacement, which now includes a 10-LED Bar Graph Gain Reduction Meter for the first time so you can properly witness this Compressor’s superb agility and speed!
Everything you loved about the Cali76 is very much intact on this new model, but with an increased 24V Higher Headroom, further optimised all-analogue signal path,...
This is truly quite a feat of engineering, and it’s all so beautifully executed too. That said Boss’s Katana : Go had a useful tiny screen, and Bluetooth connectivity to its app - which this devices could really have benefitted from. I’ve long grown tired of having to USB-cable-connect my pedals to a laptop app for updates - it should all really just be bluetooth to an iOS or Android mobile phone app by now.
In any case, the operation of this device could not be easier - you first of course...
So back in and around 1975 there was a large aluminium box with red and black graphics made by Systech, and which had an open 9V battery bay built right into the front facia. It had just 3 controls - Bandwidth, Center Frequency, and Gain - which were instrumental in delivering the classic Frank Zappa sound of that era! The Gain knob sweep was fairly expansive, but not too heavy on the breakup until later along the taper - rather an amplitude control for most of the sweep - although it did climb...
I always get pangs of sorrow when a pedal brand retires for one reason or another. Late last year Luca Romanelli announced that he was pulling the plug on his Mastro Valvola pedal brand - which at times I have referred to as ’The Strymon of Italy’.
There are so many complications and complexities with pedal-building in general - chip sets and key components increasingly harder to source, and numerous challenges with logistics and red tape. It’s a wonder more of these don’t go to the wire. ...
While there will be one more Heavy Water feature on the final Monday of this month, that will be more of a roundup and last-minute reminder. So this is the last therefore of the main feature articles.
Most of you will be familiar with the 29 Pedals EUNA Elite Unity Amplifier / Buffer - which combines a Buffer, Harmonics & EQ, High Headroom, and a very unique and potent Power Management circuitry. It’s core mission of course to make your effects chain sound better. The EUNA is a front-of...
I’ve long championed the CompIQ Stella - which is the closest you can get to a studio rack compressor in pedal format. The Stella is simply the most powerful and tweakable compressor in its category. And I’ve finally got one in the reference collection - many thanks to Becos FX for organising that for me in such a timely manner!
I’ve had my Stella for a couple of weeks or so now, and this will be my first article of a series - a sort of short-term first impressions take. Which I will then ...
Boss has really been showing Bass Players a lot of love recently - with superb dedicated devices for the lower range of playback. For April we get a Bass Edition of the ME-90 - wholly re-designed with Bass Players in mind and the precise effects they favour in their rig. There may be some superficial similarities to the ME-90, but the ME-90B has been wholly re-engineered for Bass. In my describing all the effects, features and functions - it’s almost overwhelming just how much you get on the ...
The XO Variable Crossover essentially allows you to combine the Lower Frequencies of one pedal with the Higher Frequencies of another - blend them in parallel, and create entirely new textures and tones through that specific pedal combination - and by varying the centre point / mix of each side.
So you have in effect a High Pass Filter on the Right Channel - which shaves off all Lower Frequencies beyond / below the Threshold / Centre Point you set on the Crossover Frequency Knob, and the ...
So scanning through this month it seems to have been mostly about Guitar / Pedal Shows, Japanese Pedals, and Pedals Delayed and Missing in the Post!
The Guitar Shows have been pretty fast and furious for March - with two of the most significant ones of the year, along with a fledgling grassroots one : The Guitar Show (Cranmore Park - Birmingham / Shirley), London Synth & Pedal Expo (Studio 9294, Hackney Wick, London), The Alternative Guitar Show (The Fighting Cocks, Kingston).
I of ...