Around the same time last year as Luca Romanelli announced the retirement of Mastro Valvola, my good friend Mike Vickery announced that his Vick Audio would cease pedal production too. Not many know that Mike was my Big Muff Mentor really, and I really got the full grasp on what distinguished one Big Muff variety from another - via a series of highly involved chats with Mike back in 2020.

Mike is / was one of the very best producers of Big Muff style fuzzes - with the general acceptance ...

I’ve long been a fan of Mad Professor’s gain pedals - which of course mostly owe a lot to Björn Juhl - bar the Simble Overdrive (Dumble) by Lassi Ukkonen. Which by coincidence happened to be my very first Mad Professor pedal several years ago - and in fact my very first Dumble style overdrive - of which I have several now.

So the Simble was my first Mad Professor - and the Custom Stone Grey Distortion the most recent - alongside the 20th Anniversary Royal Blue Overdrive. The Royal Blue came...

This is a project that has been going on for a while. I was just missing the Soma ’63 Vintage Preamp and the Sucker Punch High Gain Distortion - both of which I managed to source recently at relatively reasonable prices.

Out of this collection of 9 - quite a number are now discontinued - the Supa Cobra Overdrive and the entire bottom row - Hammer Distortion, Little Samson Overdrive / Distortion, and Sucker Punch High Gain Distortion.

I’ve always considered Nick Greer to be the King of ...

Wow - what can I say! The original N5 MGAT-1 was already my favourite distortion of all time - so I initially thought that this was going to be a sort of sideways step from that with more specificity to reach certain key classic era Marshall tones more easily and more precisely - and it certainly does that. While Mr Wu has kind of blown me away again - as this is incredibly a further improvement over the already exceptional MGAT-1.

The MGAT-1 Golden Era seems a little bit more poised and ...

I’ve waxed lyrical for a long time about the potency of the Daily Driver - where I originally acquired it based on how close it came to the tone and timbre of the Pete Cornish CC-1. The CC-1 can replicate / reproduce the tones of the TS808, Timmy, Klon and Blues Breaker with ease - and this new Boost addition makes it even more versatile.

The original had those 4 key corner knobs - and a single toggle switch for More Hi-Cut / None / Some Hi-Cut. Those 5 controls gave the pedal an incredible...

The final arrangement for the year - all the pedals that impressed the most!

And so to my roundup of the best gear of the year - apologies of course if I’ve overlooked one of your favourites - and note again that this year I’ve split out Boost & Overdrive - and Distortion separately - as there are so many new pedals that it’s tough to fit them all into a single summary overview. Some of these pedals are incredibly extended range - and if I’ve used them more on the distortion side - you will find those listed in the very next Distortion Rundown article - like say the...

Beetronics has turned out another modern classic - this time kind of leaning into a Tweed style voicing - which produces superb Overdrive and Fuzz tones via a central mode toggle-switch. I’m a touch surprised that they’ve ditched the former double-click smart mode-flip function of the footswitch - which worked so well for the Vezzpa and Octahive V2 - and are now instead relying on an old-school manual switch - a step back really for me, but cost-saving I guess.

Price for the Standard ...

I had both of these pedals on my wishlist back in the day, but never quite got around to getting either. If I still wanted them - now would be the prime time to real them in. The Black ’65 presumably the ’65 Deluxe Reverb, while it could also be a mix of that, the Princeton and Super Reverb - the details aren’t clear on that point. The ’57 Tweed is most likely a Custom Deluxe, but could also be a Custom Champ or a mix of both. Essentially you’re getting two of the most iconic Fender Amp ...